Top Ten Tuesday is hosted by thatartsyreadergirl with a new topic every week.
September 7: Books Guaranteed to Put a Smile On Your Face
I have done this topic many times, so I thought I would change it by looking up funny books lists and finding the next 10 to read.
With her disarming, intimate, completely accessible voice, and dry sense of humor, Nora Ephron shares with us her ups and downs in I Feel Bad About My Neck, a candid, hilarious look at women who are getting older and dealing with the tribulations of maintenance, menopause, empty nests, and life itself.
The woman who brought us When Harry Met Sally . . ., Sleepless in Seattle, You’ve Got Mail, and Bewitched, and the author of best sellers Heartburn, Scribble Scribble, and Crazy Salad, discusses everything–from how much she hates her purse to how much time she spends attempting to stop the clock: the hair dye, the treadmill, the lotions and creams that promise to slow the aging process but never do. Oh, and she can’t stand the way her neck looks. But her dermatologist tells her there’s no quick fix for that.
Ephron chronicles her life as an obsessed cook, passionate city dweller, and hapless parent. She recounts her anything-but-glamorous days as a White House intern during the JFK years (“I am probably the only young woman who ever worked in the Kennedy White House that the President did not make a pass at”) and shares how she fell in and out of love with Bill Clinton–from a distance, of course. But mostly she speaks frankly and uproariously about life as a woman of a certain age.
Utterly courageous, wickedly funny, and unexpectedly moving in its truth telling, I Feel Bad About My Neck is a book of wisdom, advice, and laugh-out-loud moments, a scrumptious, irresistible treat.
Placed in the foster care system as a teen, and struggling to read at a basic level in ninth grade, Haddish found that humor and jokes helped her endure. When offered a choice between the Laugh Factory comedy camp or counseling to help recover from issues within the foster system, she chose the former and found her calling. In her first book, Haddish recounts her early life straight through to her powerhouse success both on the comedy circuit and in Hollywood with the 2017 film Girls Trip.
A hilarious and affecting essay collection about race, gender, and pop culture from celebrated stand-up comedian and WNYC podcaster Phoebe Robinson.
Phoebe Robinson is a stand-up comic, which means that, often, her everyday experiences become points of comedic fodder. And as a black woman in America, she maintains, sometimes you need to have a sense of humor to deal with the absurdity you are handed on the daily. Robinson has experienced her fair share over the years: she’s been unceremoniously relegated to the role of “the black friend,” as if she is somehow the authority on all things racial; she’s been questioned about her love of U2 and Billy Joel (“isn t that . . . white people music?”); she’s been called “uppity” for having an opinion in the workplace; she’s been followed around stores by security guards; and yes, people do ask her whether they can touch her hair all. the. time. Now, she’s ready to take these topics to the page and she s going to make you laugh as she s doing it.
Using her trademark wit alongside pop-culture references galore, Robinson explores everything from why Lisa Bonet is “Queen. Bae. Jesus,” to breaking down the terrible nature of casting calls, to giving her less-than-traditional advice to the future female president, and demanding that the NFL clean up its act, all told in the same conversational voice that launched her podcast, “2 Dope Queens,” to the top spot on iTunes. As personal as it is political, “You Can’t Touch My Hair” examines our cultural climate and skewers our biases with humor and heart, announcing Robinson as a writer on the rise.
n the style of New York Times bestsellers You Can’t Touch My Hair, Bad Feminist, and I’m Judging You, a timely collection of alternately hysterical and soul‑searching essays about what it is like to grow up as a creative, sensitive black man in a world that constantly tries to deride and diminish your humanity.
It hasn’t been easy being Michael Arceneaux.
Equality for LGBT people has come a long way and all, but voices of persons of color within the community are still often silenced, and being black in America is…well, have you watched the news?
With the characteristic wit and candor that have made him one of today’s boldest writers on social issues, I Can’t Date Jesus is Michael Arceneaux’s impassioned, forthright, and refreshing look at minority life in today’s America. Leaving no bigoted or ignorant stone unturned, he describes his journey in learning to embrace his identity when the world told him to do the opposite.
He eloquently writes about coming out to his mother; growing up in Houston, Texas; that time his father asked if he was “funny” while shaking his hand; his obstacles in embracing intimacy; and the persistent challenges of young people who feel marginalized and denied the chance to pursue their dreams.
Perfect for fans of David Sedaris and Phoebe Robinson, I Can’t Date Jesus tells us—without apologies—what it’s like to be outspoken and brave in a divisive world.
A hilarious debut novel about a wealthy but fractured Chinese immigrant family that had it all, only to lose every last cent – and about the road trip they take across America that binds them back together.
Charles Wang is mad at America. A brash, lovable immigrant businessman who built a cosmetics empire and made a fortune, he’s just been ruined by the financial crisis. Now all Charles wants is to get his kids safely stowed away so that he can go to China and attempt to reclaim his family’s ancestral lands – and his pride.
Charles pulls Andrew, his aspiring comedian son, and Grace, his style-obsessed daughter, out of schools he can no longer afford. Together with their stepmother, Barbra, they embark on a cross-country road trip from their foreclosed Bel-Air home to the upstate New York hideout of the eldest daughter, disgraced art world it-girl Saina. But with his son waylaid by a temptress in New Orleans, his wife ready to defect for a set of 1,000-thread-count sheets, and an epic smash-up in North Carolina, Charles may have to choose between the old world and the new, between keeping his family intact and finally fulfilling his dream of starting anew in China.
Outrageously funny and full of charm, The Wangs vs. the World is an entirely fresh look at what it means to belong in America – and how going from glorious riches to (still name-brand) rags brings one family together in a way money never could.
You might be asking yourself why I’m waving an inflatable penis in the air and screaming at the top of my lungs. If I took time to explain, Declan Moss would get hit by a bus.
Let me back up. I didn’t ask for this. I was perfectly happy—and perfectly sane—before I was tasked with keeping Declan Moss alive. It was a thankless job until the moment that my panties dropped and his delicious smirk found his way in between my thighs.
Hello, toe-curling ecstasy. Goodbye, professional boundaries. And suddenly, there’s a new danger to avoid: the falling of my heart.
A collection of insanely funny texts between parents and kids, When Parents Text is a surprisingly affecting window into the complicated time when parents aren’t ready to let go, and kids aren’t ready to be let go. The parents are well-meaning but hopeless, silly and a little corny, and befuddled by the technology. The kids are bewildered yet patient: the perfect straight man. And the authors, two recent college graduates, Lauren Kaelin and Sophia Fraioli, have an unerring editorial instinct to select the funniest, sweetest, quirkiest, most-telling exchanges.
Launched as a website just last year, www.whenparentstext.com is a phenomenon. It receives 300,000 to 500,000 page views a day, with features in The Huffington Post, Entertainment Weekly, College Humor, and more. When Parents Text includes the best of texts from the website, plus more than 50 percent all-new material never before published.
Includes an emoticon glossary and 16-page color insert of MMS texts— multimedia messaging service, aka, bizarre photos from mom and dad. It’s the perfect gift for every text-savvy kid to give to his or her parents.
David Sedaris’ move to Paris from New York inspired these hilarious pieces, including the title essay, about his attempts to learn French from a sadistic teacher who declares that every day spent with you is like having a caesarean section. His family is another inspiration. You Can’t Kill the Rooster is a portrait of his brother, who talks incessant hip-hop slang to his bewildered father. And no one hones a finer fury in response to such modern annoyances as restaurant meals presented in ludicrous towers of food and cashiers with six-inch fingernails.
Finlay Donovan is killing it . . . except, she’s really not. She’s a stressed-out single-mom of two and struggling novelist, Finlay’s life is in chaos: the new book she promised her literary agent isn’t written, her ex-husband fired the nanny without telling her, and this morning she had to send her four-year-old to school with hair duct-taped to her head after an incident with scissors.
When Finlay is overheard discussing the plot of her new suspense novel with her agent over lunch, she’s mistaken for a contract killer, and inadvertently accepts an offer to dispose of a problem husband in order to make ends meet . . . Soon, Finlay discovers that crime in real life is a lot more difficult than its fictional counterpart, as she becomes tangled in a real-life murder investigation.
Fast-paced, deliciously witty, and wholeheartedly authentic in depicting the frustrations and triumphs of motherhood in all its messiness, hilarity, and heartfelt moment, Finlay Donovan Is Killing It is the first in a brilliant new series from YA Edgar Award nominee Elle Cosimano.
Life is about to get complicated for Amelia Montgomery, a prominent litigator in Chicago. She’s been fired for not compromising her principles in a high-profile case and then punching her partner in the nose for the misogynistic comment he made in retort (not her finest moment). Leaving a career that gave her purpose, Amelia can only ask, What next?
Let it be better than her epic failure of a fortieth birthday party: an open bar full of no-shows except for John Ellis, a total stranger and the new associate at her ex-firm. As it turns out, though, he’s very good company—and a wake-up call. With the help of John and a lot of champagne, Amelia considers the people she’s wronged, from old besties to former boyfriends to coworkers. Amelia resolves to make amends—to those who really deserve it.
One apology at a time, Amelia’s looking at the choices she’s made in the past, the new ones she’s making with John, and those she’s making for herself. What next? Maybe a second chance she never expected.